
Every now and then there comes a movie that happens to rewrite the course of history. A movie that challenges obsolete social norms in the name of new, groundbreaking ideals. Usually, such a film faces fierce backlash and eventually fades into obscurity, only to be rediscovered years later and receive the recognition it truly deserves.
“Ecstasy” is a Czechoslovakian production from 1933 that sparked international controversy and caught the attention of influential figures, including Adolf Hitler or the Pope himself. Right after its premiere, the movie was banned in most European countries or heavily censored, deeming it “morally unbearable” and unsuitable for public consumption. What was all the commotion about, you may wonder? Well, “Ecstasy” wasn’t just another controversial film. It was supposedly the very first film to delve into the topic of female ecstasy and portray the female orgasm on-screen.
In the opening scene, we meet Eva, the protagonist, a newlywed bride played by an 18-year-old Hedy Lamarr. We witness her symbolic journey over the threshold of her new home, carried by her groom. However, this moment of joy is quickly interrupted by her husband’s struggles – first, with unlocking the door and then with removing his wife’s necklace. Despite Eva’s hopeful anticipation of consummating their marriage, her husband proves incapable of satisfying her intimately. Days pass in a haze of disappointment as she continues to be ignored by her spouse, until Eva, overcome by loneliness and desperation, silently flees her loveless marriage. Now liberated and independent, Eva goes horseback riding, skinny-dipping, and becomes romantically involved with a handsome engineer named Adam. For the rest of the movie, Eva, consumed by her longing for passionate love, embarks on a journey of exploring her own sexual desires. She experiences her first ecstasy which is portrayed solely by means of her facial expressions – by the unambiguously closed eyes, tilted head, and parted lips. Despite the absence of any explicit nudity in that scene, the depiction of a sexually liberated woman who forsakes a loveless marriage for her own fulfillment was enough to get the movie banned in the conservative world of the 1930s.
Now, nearly a century later, it becomes apparent just how innovative and ahead of its time “Ecstasy” truly was. In a time when frankly, any sexuality was largely taboo, and women were typically expected to prioritize their roles as wives and mothers above all else, the concept of a sexually liberated woman seemed dangerous and threatening to the traditional gender norms. The emancipation of women and their more progressive portrayal in film came much later, yet the story of Eva ignited a societal movement that caused people to reflect upon these themes. From today’s perspective, the idea of a woman leaving an unhappy marriage for her own fulfillment is no longer seen as inappropriate. We now witness women, both in real life and on screen, openly acknowledging their feminine desires and asserting their right to prioritize their own pleasure. A movie once viewed as “immoral” and “daring” can now be seen as “vital” and “revolutionary” in the battle for female freedom and autonomy, which to some extent still persists today.

