“Ecstasy” and how one movie redefined female sexuality on screen

Every now and then there comes a movie that happens to rewrite the course of history. A movie that challenges obsolete social norms in the name of new, groundbreaking ideals. Usually, such a film faces fierce backlash and eventually fades into obscurity, only to be rediscovered years later and receive the recognition it truly deserves.

“Ecstasy” is a Czechoslovakian production from 1933 that sparked international controversy and caught the attention of influential figures, including Adolf Hitler or the Pope himself. Right after its premiere, the movie was banned in most European countries or heavily censored, deeming it “morally unbearable” and unsuitable for public consumption. What was all the commotion about, you may wonder? Well, “Ecstasy” wasn’t just another controversial film. It was supposedly the very first film to delve into the topic of female ecstasy and portray the female orgasm on-screen.

In the opening scene, we meet Eva, the protagonist, a newlywed bride played by an 18-year-old Hedy Lamarr. We witness her symbolic journey over the threshold of her new home, carried by her groom. However, this moment of joy is quickly interrupted by her husband’s struggles – first, with unlocking the door and then with removing his wife’s necklace. Despite Eva’s hopeful anticipation of consummating their marriage, her husband proves incapable of satisfying her intimately. Days pass in a haze of disappointment as she continues to be ignored by her spouse, until Eva, overcome by loneliness and desperation, silently flees her loveless marriage. Now liberated and independent, Eva goes horseback riding, skinny-dipping, and becomes romantically involved with a handsome engineer named Adam. For the rest of the movie, Eva, consumed by her longing for passionate love, embarks on a journey of exploring her own sexual desires. She experiences her first ecstasy which is portrayed solely by means of her facial expressions – by the unambiguously closed eyes, tilted head, and parted lips. Despite the absence of any explicit nudity in that scene, the depiction of a sexually liberated woman who forsakes a loveless marriage for her own fulfillment was enough to get the movie banned in the conservative world of the 1930s.

Now, nearly a century later, it becomes apparent just how innovative and ahead of its time “Ecstasy” truly was. In a time when frankly, any sexuality was largely taboo, and women were typically expected to prioritize their roles as wives and mothers above all else, the concept of a sexually liberated woman seemed dangerous and threatening to the traditional gender norms. The emancipation of women and their more progressive portrayal in film came much later, yet the story of Eva ignited a societal movement that caused people to reflect upon these themes. From today’s perspective, the idea of a woman leaving an unhappy marriage for her own fulfillment is no longer seen as inappropriate. We now witness women, both in real life and on screen, openly acknowledging their feminine desires and asserting their right to prioritize their own pleasure. A movie once viewed as “immoral” and “daring” can now be seen as “vital” and “revolutionary” in the battle for female freedom and autonomy, which to some extent still persists today.

Love Actually And What Makes A Christmas Story So Lovable

You either love them or hate them. They make you laugh, cry, and cringe so hard at times it’s tough not to keep your eyes off the screen. But at the end of the day, they remind us all why we love Christmas and what is so special about this time of the year.

Christmas movies everybody! Whether we’re reuniting with our families or celebrating the winter break alone with a cozy blanket and hot chocolate in hand, we all end up binge-watching our favorite Christmas movies – laughing and crying, and bringing back the good old memories. Love Actually is an undeniable classic that first premiered in 2003 and has captured our hearts ever since. Even though there have been many other holiday-themed films since its release, nothing has topped Love Actually’s success, making it one of the most-watched and most beloved Christmas movies of all time.

You‘re probably asking yourself – what is it about this movie that makes people watch it over and over again? The answer lies in the unique structure of the story that fully draws in the viewer. Love Actually is split between 10 different romantic subplots that all nicely merge into one, telling the story of several barely related characters. We meet a mourning widower Daniel who’s trying to help his step-son woo over his crush, a burnout artist Jamie who‘s trying to start his life over after a nasty breakup and Mark – a miserable groomsman who happens to be in love with his best friend’s soon-to-be wife (I know, ouch). These are just examples of the many subplots following the daily endeavors of ordinary people who have nothing in common except for one thing- love. Each love story is unique and develops under different circumstances – Jamie suddenly falls for his Portuguese housekeeper while Mark decides to finally confront the love of his life about his feelings. Both characters are victims of the mysterious ways of love that barge into their lives unexpectedly, at a moment they least anticipate.

This kind of follow-up of the story is what makes the movie so ingenious and one of its kind. Instead of featuring just one main plot, the story is split into multiple equally important scenarios that all happen around the same time but are told from different perspectives. There is more than just one side to this story which is exactly how it is in real life. We’ve all been the little stepson with a crush at some point in our lives or like Mark – fell in love with the wrong person at the wrong time. And some of us have even experienced true love like Jamie. In a way, we can identify with each one of these characters which makes the story much more authentic and relatable for a regular viewer. The secret to making a lovable Christmas story is not about the magic and fireworks, it turns out. It’s the little things that are the most important and unite us all. And there’s nothing more common and more meaningful in this world than the good old-fashioned love.

Instead of being just an another boring story about two singles falling for each other on Christmas Day, Love Actually offers us a bunch of different, unrelated stories that reveal the genuine and familiar side of love – the one that catches you by surprise and can’t be scripted. It hurts and it’s not always mutual but it’s a feeling that we all have felt at least once in our lives and are bound to feel again someday, at a time we least expect. This is the true love, actually.

Fight Club And The Crisis of Masculinity

What does it mean to be a man? In a world ruled by large corporations, where there’s nothing to fight for and nothing to hunt, more and more men are struggling with the so-called masculinity crisis. Consumerism has them working jobs they hate and buying things they don’t need. Living from paycheck to paycheck, driven by the same insatiable urge to have more. There’s no way to express oneself anymore. Everyone’s a copy of a copy of a copy.

An identical scenario is shown in the movie Fight Club where our nameless protagonist is a miserable office worker who’s suffering from insomnia. We quickly learn that he has become a prisoner of the consumerism lifestyle – constantly buying Ikea furniture and flipping through catalogs in search of something “unique” that would define him as a person. His purposeless and sleep-deprived life guides him toward support groups where he gets to express himself around other miserable men. Seeking comfort in each other’s male despair allows them to find that sense of human connection that’s been missing everywhere else. Misery is the only thing that brings them together, the only thing reminding them that they’re still men.

But why have men become so weak? Why has their male expression changed so much? The storyline of Fight Club lets us tap into that problem as we watch our protagonist struggle to become his most authentic self. In a society where everything is shallow and limited to surface-level contact, there’s nothing out there to explore, nothing to overcome. That has become a problem for many men who feel lost and frustrated with their inability to express themselves. Their true identities fade behind the different-colored ties and the Ikea coffee tables. As the director of Fight Club, David Fincher said: “We’re designed to be hunters and we’re in a society of shopping.” Living against their innate instincts, men are being deprived of their masculine features, losing their strength and their freedom of expression.

How does our protagonist deal with this? Pretty simple – to explore his masculinity, he creates an alter ego, Tyler Durden, who‘s everything one would search for in a man. He’s careless, fearless, and liberated from the consumerism culture around him. As Tyler puts it in the film – “Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need. We’re the middle children of history, man. No purpose or place. We have no great war, no great depression. Our great war’s a spiritual war, our great depression is our lives.” To rebel against the system, our main character along with his masculine alter ego, starts an underground fight club where the male members can release their aggression and feel connected by the same longing for change in a money-dominated world. This quickly evolves into a terrorist group that plants bombs in the headquarters of large corporations, trying to break free from those at the top of the capitalist chain. For these men, violence is the only coping mechanism there is – the only way of unleashing their last scope of masculinity.

The story portrayed in Fight Club delivers a strong message, revealing the dark side of our modern society. We’re living a life of wasting time – doing unfulfilling tasks and following the same miserable routine over and over again. There’s no challenge, no battle. In an environment like that, there’s no room for self-expression. Men become slaves of the monotonous, nine-to-five lifestyle that makes them weak and vulnerable. They lose any sense of what it means to be a man, feeling confused and ashamed about their “unmanly” behavior. What Fight Club strongly underlines is how destructive society’s influence can be. This idea to “adapt” and create a socially acceptable image is extremely limiting and destined to fail. As viewers, we get to observe this phenomenon closely and watch as the masculinity crisis unravels before our eyes. To keep it from happening we must fight against that strong human urge to “fit in” and never give up on a battle of finding one’s true self, no matter how painful it may be.

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